Betrayal Series

3 thoughts on “Betrayal Series”

1. 

   HorrorSiteReviews says: 5 months ago

   In an era where mainstream psychological thrillers can occasionally feel sanitized and formulaic, Maya Robertson offers a refreshing, dark, and unapologetically gritty alternative. Publishing primarily as a serial author on her own platform, Inside Maya’s Mind (insidemayasmind.com), Robertson bridges the gap between traditional Scandi-noir suspense and the fast-paced, visceral energy of internet creepypasta culture.

   While her work carries the minor structural blemishes typical of unedited indie fiction, her sharp eye for atmospheric dread makes her a compelling voice for fans of the macabre.

   Robertson’s greatest asset as a writer is her ability to weaponize environment.

   In her standalone folk-horror piece, The Myling, the freezing, unforgiving wilderness of Finnmark, Norway, acts as a secondary antagonist. Robertson does an excellent job of juxtaposing a historical 1865 tragedy with modern-day dread. The transition from a bleak survival story into a blood-soaked slasher narrative feels earned, largely because the setting is established with such tactile, freezing coldness.

   Robertson’s bibliography effectively explores the two distinct faces of horror:

   The Supernatural Threat: In The Myling, the horror is external and monstrous, a physical manifestation of historical guilt and folklore vengeance. She does not shy away from gore, making it an excellent fit for purists of the genre.

   The Human Threat: In the Betrayal series, she pivots to psychological trauma. The horror here is grounded in betrayal, gaslighting, and the lingering PTSD of captivity. Robertson is at her best when exploring the “cracks in the mirror”, the terrifying reality that the people closest to us are often the ones wearing the most dangerous masks.

   Maya Robertson is a talented, hidden gem in the independent horror community. Her work may lack the glossy, meticulous polish of a big-budget publishing house, but it more than makes up for it with raw tension, genuine atmospheric dread, and a refreshing commitment to dark, uncompromising storytelling.

   For readers looking for a fast, chilling escape outside the mainstream mainstream thriller loop, Maya and insidemayasmind.com is well worth checking out.

   Reply
2. 

   Celeste says: 4 months ago

   Hi Maya — apologies for the slightly out-of-the-blue comment. I came across your reply in the Royal Road thread about how everyone keeps track of their story notes, and the “jumbled mess of word files whose names don’t match the chapter numbers” line made me laugh, mostly out of recognition.
   I’m not a writer — I’ve just been trying to understand how people writing long serials keep it all straight as the story grows. Could I ask you one quick thing? When you’re writing and something from earlier in your own story trips you up, what’s it usually — and what do you actually do in that moment?
   Totally fine to ignore this. Either way, I hope Betrayal is going well.

   Reply
   1. 

      Maya says: 4 months ago

      Hi Celeste!

      I guess, for me it’s the little details that I’m most likely to mess up with. I’ll forget the colour of a character’s eyes perhaps and accidentally change them when I refer to them again. There’s scene in Betrayal where I mention that Heidi got walked home by her friend’s boyfriend, only later to say that he drove her home. Occasionally I might foreshadow something, only to slightly change things later so the foreshadowing becomes inconsistent. There’s one very big instance of that in Betrayal. It’s annoying inconsistencies like that mainly.

      I do keep character sheets, and fill in details of the characters as I mention them in the story, that really helps keep things consistent. I also load all my chapters in the Google NotebookLM which gives me a very easy way to check a detail without having to go back over all my chapters to see if I have or haven’t mentioned it.

      I’ve got plans for a bit edit and rewrite of Betrayal once it’s finished so when I do find these things, I just make a note of them in my editing document and will fix them in the rewrite.

      Reply